Showing posts with label The Substation. Show all posts
Showing posts with label The Substation. Show all posts

Tuesday, March 6, 2012

[event] Heaven In Her Arms (JP) live in Singapore // 17th Mar 2012 @ The Substation









































HEAVEN IN HER ARMS (JP) live in Singapore 2012 
Mar 18 (Sun), 4pm
The Substation Theatre

Pre-sale at $20 available NOW at: The Substation box office, Straits Records and Inokii till the 9th of March, after which it will be $25 at the door.

This event is proudly supported by.:
The Rockstar Collective
The Substation

Epidemic Records will be releasing a split 7" between HEAVEN IN HER ARMS and YUMI in conjunction with the tour! Limited copies only so watch out for it.

Supporting bands:

Tuesday, December 13, 2011

[event] Tribal Gathering of Jaw Benders // 17th Dec 2011 @ The Substation





































As the year comes to an end, join The Substation on Saturday 17 December as they close the year with great original music by local bands, musicians and sound artists. The first annual Tribal Gathering of Jaw Benders will kick off with Gagging Sessions from 2pm-6pm, and conclude with performances by a wide-range of musical acts from 7pm-2am.

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Gagging Sessions
Saturday 17 December, 2pm-6pm
The Substation Theatre and Balcony
Admission: Free


The Substation’s Tribal Gathering music programme invites all local emerging and established bands, sound artists, vocal/voice artists, and traditional musicians to share new, original works. The Gagging Sessions will be held in The Substation Theatre for full band, orchestral and electronic sets, and on the Balcony for acoustic and sound art sets.

BALCONY
4pm - 6pm Max Lane

THEATRE
3pm Narisa Chan
4pm Anechois
5pm Deon The Band

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Tribal Gathering of Jaw Benders
Various Artists
Saturday 17 December 7pm–2am
The Substation Theatre and Balcony
Admission: $20 / $15 (concession) for admission to The Substation Theatre (balcony performances are free) available from the box office

Contact Mish’aal at 6337 7800 / boxoffice@substation.org

A diverse range of artists such as Naz, circuitrip, and The Analog Girl will be performing in the theatre, as well as on the third level balcony, spilling glorious sound onto the whole stretch of Armenian Street.

BALCONY
7pm Bardo
8pm Naz
9pm Cyril Wong
10pm Circuitrip
11pm Red Over Darjeeling
12pm Analog Girl

Theatre
730 Seyra
830 Caracal
930 Marilyns
1030 Cesspit
1130 Akta Angkasa
1230 The Psalms

At the alley, there will be satay, Ramli Burgers from the famous Uncle Ramli and drinks from KICKstart BREWiches Cafe on sale!

Tuesday, November 22, 2011

[event] Tribal Gathering of The Tongue Tasters: To Whom It May Concern // 3rd Dec 2011 @ The Substation Theatre

Tribal Gathering of The Tongue Tasters: To Whom It May Concern
By Enam Jahanam
Saturday 3rd December 2011, 8pm
The Substation Theatre
Admission: $15 and $10 (concession) available from The Substation box office
Contact Mish'aal at 6337 7800 or email boxoffice@substation.org.

ENAM JAHANAM, or The Six Destructives (translated from Malay), is a DIY-hardcore band influenced by punk and skinhead culture, and the Oi! sub-genre. The band’s musical and ideological cues range from 1980s punk to music being made from current hardcore and Oi bands the world over.

ENAM JAHANAM emotes with screams and yells over a wall of angry yet melodious noise.

ENAM JAHANAM consists of members who have been involved in hardcore/punk/Oi from the mid 90s, and who play in CIRCLE OF FRIENDS (hardcore), LEAD (II) NITRATE (emo hardcore punk), BLINDED HUMANITY (crust), TOPSY TURVY (crust grind), EXKORIATOR (metal-punk) and many other bands, and who have also been involved with bedroom distribution labels like Azadghei Records, Sxetan Collective and Prohibited Projects.

[event] SlutTalk Singapore // 3rd Dec 2011 @ The Substation Classroom Level 2

On the 3rd and 4th of December 2011, Singapore will be holding its very own SlutWalk as a statement against sexual assault, victim-blaming, and slut-shaming. In a bid to contextualize SlutWalk Singapore, the official programme kicks off with a full first day of workshops, talks and discussions, touching on issues surrounding sexual assault, victim-blaming/slut-shaming, sexuality and consent.

3rd Dec 2011 The Substation, Classroom 2 @ Level 2
2pm-10pm


(Note: You can choose to attend one of these talks/workshops, or a combination of them. You do not need to attend all if you are unable to.)

*There will be a break of 20mins between each component.

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2PM
Exploring Sex, Sexuality, and Intimacy by sexologist Dr. Martha Lee (talk)


Sex, sexuality and intimacy are distinct terms which are often used interchangeably. This session aims to explore the difference before discussing what owning your sexuality means and the ways one can better understand/enhance their own sexuality.

http://www.eroscoaching.com/

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3.20PM
SPARKS*: Action for AIDS's response to combating HIV/AIDS by Avin Tan (talk)


Knowledge coupled with action can make a difference and the SPARKS* programme is designed to arm you with basic HIV/AIDS knowledge and how you can play your part to stop HIV/AIDS. You will also learn why there is stigma & discrimination surrounding HIV/AIDS, and have some myths debunked.

http://afa.org.sg/

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4.40PM
Promoting Consent, Preventing Coercion: What Men & Women Can Do to Prevent Sexual Assault by gender equality advocacy NGO AWARE (talk)


Explores the law on sexual assault in Singapore, myths of sexual assault, and outlines steps men and women can take to prevent or intervene in sexual assault in Singapore.

http://www.aware.org.sg/

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6PM
Challenging Complicities coordinated by Singapore Queer-Straight Alliance (roundtable discussion)

Keynote speakers: Wong Pei Chi, Dr Ingrid Hoofd, and Alex Serrenti.


An intellectual roundtable discussion on the freedom to gender identity and its alleged complicities in crime and victim-blaming, it also aims to elevate discussion on feminist and gender identity advocacy in Singapore, with two main topics for discussion:

i) Drawing the lines between crime, victim-blaming, risk management and “complicity” in crime: how may we, as advocates, best articulate ourselves to effect change in mindsets here?

ii) SlutWalk — actual empowerment, reclamation or a continual espousal of male-centric ideas of femininity?

https://www.facebook.com/SinQSA

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7.20PM
SlutWalkSG: Local Relevance, Global Challenges facilitated by Dr. Joel Gwynne (lecture + discussion)


Explores questions such as: How is SlutWalkSG different compared to SlutWalk as a global movement? Why are Singaporeans becoming involved with SlutWalk? Do women in Singapore experience sexuality differently to women in the West? How do ideas about multiculturalism and multiracialism affect attitudes to women's sexuality? In an apparently "post-feminist" world, what challenges do we face when attempting to make sexual assault and sexual labeling a relevant and crucial social issue?

(This discussion will be preceded by a 20 min mini-lecture)

http://www.nie.edu.sg/profile/joel-robert-gwynne

**Limited to 20 participants only. If interested to attend, please email Dr. Gwynne at joel.gwynne@nie.edu.sg.

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8.40PM
Policing Desire and the Whore Stigma by sex workers’ outreach initiative Project X (workshop)


Anyone can be labeled as a whore/slut if she steps out of The Line. And if you’re labeled a whore/slut, you’re less than human and warrant being treated less than human. As such, some key questions we aim to unpack include: Who constructs these forms of control? How do these forms of control manifest and what are its implications? How do we take back control over our minds and bodies?

http://theprojectx.org/

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Thursday, October 27, 2011

[event] Freedom Film Fest 2011 // 28th Oct 2011 @ The Substation Theatre

The Freedom Film Fest was initiated by Malaysian NGO Pusat Komas as a means to educate the public on the values of human rights. The festival's circuit in recent years has included Kuala Lumpur, Penang, Johor, Perak and East Malaysia.

Due to our shared political and cultural history with Malaysia, Singaporeans For Democracy will host the Singapore leg of the festival again for the second year running. None of the films shown in the eight year history of FFF has been censored or banned by the Malaysian Government.

Entry is free so feel welcome to bring along all your friends and family.

When: Friday, October 28 · 7:00pm - 11:30pm
Where: The Substation, 45 Armenian Street

ABOUT THE FILMS

1. MENCARI KARTHIKA (40 mins) 2010
Dir : Norhayati Kaprawi
Language : Bahasa (English subtitles)
Rating : Not yet rated by MDA
First-time filmmaker Norhayati Kaprawi was inspired to make “Mencari Kartika” after surveys by polling house Merdeka Center found a large majority of Muslims in Malaysia supported the caning of part-time model Kartika Sari Dewi Shukarno for consuming alcohol. This documentary explores the Muslims’s perception of ‘justice’ in the context of Malaysia that is lauded for its modern, progressive, multi-racial image.

2. AKU SIAPA? (50 mins) 2010
Dir : Norhayati Kaprawi
Language : Bahasa (English subtitles)
Rating : Not yet rated by MDA
Why do Muslim women in Malaysia wear the hijab? What are their challenges? Through a series of candid interviews with Muslim women, young and old, urban and rural, director Norhayati Kaprawi uncovers why Muslim women wear the hijab, and why some take it off. “Aku Siapa” is a necessary viewing for those who are curious about the hijab and those who want to better understand Islamization and its impact on women in contemporary Malaysia.

3. ULU BENGOH DARUM PIIN (Upper Bengoh Under Water) (20 mins) 2011
Dir : Joachim Leong
Language : English (Bahasa subtitles)
Rating : Not yet rated by MDA
Building of the controversial Bengoh dam will forcibly displace 1,500 residents from their ancestral homes. However, contrary to popular expectations, the recent election results showed that the Bengoh residents did not use their ballot to express their unhappiness. The films ventures into the soon-to-be-submerged villages - accessible only by foot- to discover why they chose the same candidate who supported the very project that would forcibly displace them.

4. TRANSGENDER NUN : RIGHTS AND RITES (20 mins) 2011
Dir : Arvind Raj
Language : English (Bahasa subtitles)
Rating : Not yet rated by MDA
Transitioning from a man to a woman is but the first change in Sharan’s life. She wants to become a nun by dedicating her life to Bauchara Matha, a Hindu deity who is known to be the protector of the transgender community. The filmmaker follows Sharan on a journey of several rituals that are rarely performed and never recorded on film before.

5. HURUF J (23 min) 2011
Dir : Afiq Deen
Rating : Not yet rated by MDA
What happens when your status changes from “married” to “divorced”? What has this very personal issue got to do with human rights? First-time filmmaker Afig Deen employs animation, wordplay and interviews with divorced mothers to highlight the struggles of these women, while finding closure with his own personal struggle as the son of a divorced mother. A winner of Freedom Film Festival 2011.

6. LOT, UMAH AM (The Sea, My Home) (23 min) 2011
Dir : Liaw Pey Wen
Language : Bahasa (English subtitles)
Rating : Not yet rated by MDA
For most Indigenous People, the land and forest is tied up with their identity. But what if your indigenous identity is not tied up to the land but rather to the sea? This documentary gives us a peek into the lesser known lives of the Indigenous Orang Seletar who have for generations called the Straits of Johor their home. A runners-up of Freedom Film Festival 2011.

Wednesday, September 21, 2011

[event] SlutShot: A Photo(graphic) (Exhibit)ion // 23rd Oct 2011 @ The Substation Random Room

Slut. Sundal. 贱货 (jiàn hùo). தேவடியா (thevadiya).

What is a Slut? Who is a Slut? What makes a Slut?

In this work, the photographer attempts to unpack the meaning of the word Slut together with her subjects, at the same time questioning and challenging cultural and societal notions of the word. An interactive exploration, the artist serves as observer and executor, her subjects each telling the viewer their own relationship to the word Slut.

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Part of Rahim.
Photos by Cher Tan
A SlutWalk Singapore initiative

[event] Rahim. // 23rd Oct 2011 @ The Substation Random Room

Rahim: womb [wu:m]

The cave of my mouth is a constellation of sour stains;
a pulsating redness of an open gaping wound learnt in the womb.
I am a woman who has paid for all future sins.

The womb in evolution or the brain in gestation.

I am you.








An Exhibition By:

Charlene Shepherdson

Haseena Abdul Majid

Nabilah Husna

Vanessa Victoria


Gallery hours:
Daily 12pm - 9pm
The Substation
45 Armenian Street
Singapore 179936

Wednesday, August 3, 2011

[event] Real Life Speaks Up: The 4th Singapore Indie Doc Fest // 18th-21st Aug 2011 @ The Substation

4th Singapore Indie Doc Fest
Thursday 18 – Sunday 21 August
The Substation Theatre
Admission: Tickets available from the box office
Contact Mish’aal at 6337 7800 / boxoffice@substation.org

Singapore’s first ever international documentary film festival returns, featuring more compelling works, portraying real people, exciting personas and reflecting the trials and tribulations of our time. Indie documentaries that say what they want.

Please go to the 4th Singapore Indie Doc Fest microsite to see full line-up of films and schedule.

Thursday, June 2, 2011

[event] Night of Circle Pit #2 feat. Grand Hotel Paradox (AE) // 21st June 2011 @ The Substation

Night of Circle Pit #2
Presented by Prohibited Projects / Blackhole 212
Tuesday 21 June 2011, 7pm
The Substation Theatre
Admission: $8 available at the door

Grand Hotel Paradox is a DIY & independent punk band. The band performs punk music that experiments with harmony, rhythm and texture. Their performance at The Substation forms part of their South East Asia tour, which will also include shows in Malaysia and the Philippines.

In August 2010, Chris Ryan (Guitar/Vocals) was mixing live sound at a show that Mike Priest (Bass/Vocals) was playing with his band gopilot. After the soundcheck they talked for hours about genuine punk music with real emotion, energy, dynamics and true power. Grand Hotel Paradox was born when they were joined by Michael Sydenham on drums a few months later. In March 2011, the "First World Problems" EP was released online for free download or purchase. In June 2011, they will tour Malaysia, Singapore and the Philippines.

Friday, May 27, 2011

[event] KittyWu & Macbeth present Envy (JP) w/ Amateur Takes Control // 18th June 2011 @ The Substation

For the last 19 years, ENVY have been creating the most intense fusion of emotive ballads with ferocious teeth gritting screaming hardcore. They have created their own sound with their speedy guitars, loud pounding bombastic drums, pummeling fretless bass lines, and heavy emotive vocals of Tetsu Fukagawa. 6 full lengths, numerous EPs and Split Singles later, they've earned the praise and admiration from the likes of Stuart Braithwaite (Mogwai) and Steve Aoki (Dim Mak). leading to highly acclaimed releases on Rock Action Records, Dim Mak and Temporary Residence. Their live show is a fucking tornado leaving people crying in the crowd out of pure emotional intensity.

This is a small show so tickets are limited and you don't want to be the last one outside crying your heart out.

Tickets released for sale 1 June Wednesday. Limited advanced tickets will be available.
Ticketing outlet details to follow soon.

KittyWu & Macbeth present:

Envy
w/ Amateur Takes Control
The Substation Guinness Theatre
18 June Saturday

Advance Tickets: S$57
Tickets at the door: S$70

Supported by
The Rockstar Collective
The Substation


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Since 1992, Envy has become a dominant band in the independent hardcore scene in Japan. Their music, through their own evolution, encompasses a sound where intensity and beauty coexists. They have recorded a number of singles and albums in Japan, including split albums with bands like This Machine Kills, Endeavor, Six Pence and Yaphet Kotto. Since their beginning, Envy has toured all throughout Japan with Mogwai, Isis and many more. They have labored and toured their songs relentlessly for over a decade, and will continue to do so well into the next decade.

Envy has just been added to this year's Fuji Rock Festival.

A solo project by guitarist Adel Rashid, Amateur Takes Control (ATC) has evolved to its present 5 person line-up, creating music which is undeniably diverse in style and influence, yet still manages to showcase a seamlessness that justifies their identity as a group.

Known for their intense onstage performances and dedication to their craft, they have a passion about the music they’re creating – schizophrenetic, achingly emotive and a full throttle forward.

Monday, May 23, 2011

[event] Rooted In The Ephemeral Speak #03-2011 // 23rd June 2011 @ The Substation

23 June 2011
7.30 pm to late
The Substation, Theatre
45 Armenian Street, Singapore 179936

1. Emmanuelle Waeckerlé (U.K.)

2. Jeremy Hiah (SG)

3. Shannon Cochrane (CA)

4. Wunderspaze (SG)

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1. Emmanuelle Waeckerlé (U.K.)

Emmanuelle Waeckerlé was born in Morocco, lives between London and St Yrieix la Perche in France. Her work straddles across various disciplines including performance art, photography, storytelling and Book art, While anchored in explorations on language, identity and displacement, recurring themes such as the relationship between body and identity and the limitations of translation were seen as poetics of survival and resistance.

Through her continuing commitment to both education and practice based research she tries to foster new enquiry across and between Photography, Performance art and Book art, developing collaborative projects and communities both at local and international levels, in academic and non academic contexts.

Emmanuelle Waeckerlé is a reader in Photography and relational practices at University for the Creative Art in Farnham UK, and co-founder / co-director of bookRoom research cluster. She helped set up bookRoom press.


The art of letting go (on the edges of language)

To a greater or lesser extent, everyone depends on stories to discover the manifold truth of life. Only such stories, read sometimes in a trance, have the power to confront a person with his fate. This is why we must keep passionately striving after what constitutes a story.


George Bataille. Blue of Noon appendix: The author’s foreword (1957)

Emmanuelle Waeckerlé will conduct “Jungle Fever (wish you were here)”, a workshop on 22 June as a prelude to the presentation of “The art of letting go (on the edges of language)” on 23 June. Participants (max.25) who respond to “Jungle Fever”, will be taken on a tour with Emmanuelle Waeckerlé as tour guide.

“Jungle Fever (wish you were here)”, will be conducted as a workshop on 22 June in the dance studio of the Substation. For the past 5 years she has been developing a series of workshops “Body thought Body talk” - a collaborative construction of personal meaning using simple performance exercises to explore one’s body (as opposed to one’s mind) as both a tool and the object/subject of observation. Emmanuelle’s process set out to liberate the participants by demanding stretches on preconceived habits of consciousness between de-learning the past habits and renewal of inter-personal interactions and thinking behaviors, by working on the body through the performances in “Jungle Fever”.


“The art of letting go (on the edges of language)” (23 June)

Emmanuelle Waeckerlé sets out to link the workshop processes of “Body thought Body talk” conducted on the day before in “Jungle Fever” by using VINST, developed in collaboraton with software artist, Sebastian Lexer first presented in 2005. VINST is a unique vocal instrument, part human part virtual - a body without organs - responding to touch but also to mood and sensibility. It is an exercise in verbal procreation and story telling, weaving together personal, conceptual and whimsical concepts that might have led Emmanuelle Waeckerlé to become a vocal instrument for all to play {with) and a tourist guide for authentic travel and beyond. The sounds are pre- or non- linguistic, and are based on how the body reacts to touch and how it produces sound. Emmanuelle Waeckerlé personally derive as much pleasure playing (with) her virtual self as well as from watching others doing so.

Estimated Duration: approx: 45mins



2. Jeremy Hiah (SG)

Born in 1972, Jeremy Hiah began his involvement in the arts since 1993. His works mostly deal with social questions, based on his personal experiences and background. As a practicing artist Hiah widely explored different art media and materials in painting, sculpture, installation, performance and collaborations with different artists in different fields. Hiah has presented his works in various countries including Germany, Italy, Austria for UNSECO Artists In Residency Vienna, Hong Kong Art Center, Vietnam Contemporary Art Center Indonesia Australia, South Korea Thailand and China for exhibition festival and artists in residency. He is also an active organizer and member of The Artists Village and Sculpture Society Singapore. Former 2001 Vice President of The Artist Village and 2005 Vice President of Sculpture Society and doing art workshop in Secondary, Junior College and Polytechnic schools. He established and ran Your MOTHER Gallery, an alternative living room art space since 2004. Hiah is the artistic director for Fetter-Field Performance Art Event 2006, 2007 and 2009.




The White Crocodile

The work that I intend to make for this project is the myth of the white crocodile. Bendemeer Road is where the two rivers Kallang River and Whampoa River meet. This white crocodile myth comes from the canal Whampoa River and Kallang River. The neighborhood use to say that there is a white crocodile living in this River and believes to be the guidance of this river and had protected the people of this area. Whoever sees it will have good luck and number some time appears on the body of the crocodile and one see it will strike lottery. I have been living in this area for the pass 27 years and River was my playground during my childhood time. I believe this white crocodile has protected my friend and me. This white crocodile is a mystery to us, as I have not seen it. The myth said that it would only appear if there were some good events coming into our neighborhood. This white crocodile is like a deity according to some of our old folks.

Estimated Duration: approx: 30mins


3. Shannon Cochrane

Shannon Cochrane's performance works have been presented across Canada in Toronto, Montréal, Halifax and Vancouver and internationally in China,Chilé, France, Germany, Ireland, Norway, Poland, Scotland, Sweden, Switzerland and the US. Shannon is a co-founder and co-curator/organizer of the 7a*11 International Festival of Performance Art (www.7a-11d.ca) and is the current Artistic and Administrative Director of FADO Performance Art Centre (www.performanceart.ca).


Performance for Prepared Invisible Table

My performance work engages directly with audience, strategically with humour, and methodically with material to create situations and images that are concerned with the formal presentation of action, the possibilities of social interaction, and the investigation of authorship, repertoire, the archive and the practice of performance art itself. Performance for Prepared Invisible Table is an action collage using some everyday materials and some not-so-everyday materials to create images that appear and disappear in the exact same moment.

Estimated duration: approx.: 30mins.


4. Wunderspaze (SG)

Wunderspaze is the contemporary art initiative first established in January 2006 in Singapore. As a modest collective, Wunderspaze has been operating independently without receipt of government or other institutional funding. It aims to be a venue of exchange for emerging local, Southeast Asian and other artists and curators interested in the development and discourse of contemporary art in Southeast Asia. It intends to make its work through regional networking, research, documentation and presentation of works, ideas and strategies by such young artists and curators that is has contact with. Aside from artistic development within contemporary visual art and associated practices, the concurrent direction is to examine and develop curatorial approaches, models and methodologies. Wunderspaze is represented by Khairuddin Hori and Zaki Razak.



White Market

Founded in 2006 in Singapore, Wunderspaze is a loose collective of artists and artworkers interested in the research and presentation of art. Amongst its interests is the profiling of artists and artworks belonging to minority groups. This time, Wunderspaze activates a community of Malay-Singaporean artworkers for a performance called “White Market”. “White Market” is an assembly of improvised rituals and actions, juxtaposed in the given space and time, taking off from the notion of collective and analogous actions that is often associated with organised assemblies and cults.

Estimated Duration: approx: 45mins

Friday, April 8, 2011

[event] Can Cannot Also Can // 15th April 2011 @ The Substation

Lee Wen makes a full circle with a return to his earliest forays of poetry and singing. Besides the other influences it was through poetry reading and jamming at The Artists Village that started him on the road to performance art and other experimental practices.

Lee Wen’s lyrics are gutsy and poignant, sometimes personal and other times more socially relating to current cultural climate both local and global. Songs like "Art is ...Dead" deliver a punchy tune with simple lyrics warning us of the impending death trivializing our humanity by placing emphasis on market values and mindless consumer tastes for shameless repetition of tested formulas rather than research, innovations and explorations of new ideas or debate on social values.

Zai Kuning - guitars
Reef - bass
Hafiz Bastard - drums

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Program:

Performance by Lee Wen (solo) - 7:30pm

Acoustic by Wen (solo) - 8.00pm

Interval - 8:20pm to 8:30pm

Electric Set
with Zai, Reef and Hafiz - 8:30pm to 10:00pm

Admission : S$10 only (You are allowed to sneak in free by order of the Anyhow Blues Project; after all this is not a Bob Dylan gig!)


CAN CANNOT ALSO CAN poster designed by Lin Shiyun, painting by Elena Erikkson. "Anyhow Blues Project" premiered at 9th International Performance Art, Turbine, Giswil Switzerland, Sept 11th 2010.

Thursday, March 31, 2011

[event] Tribal Gathering of the Tongue Tasters #4 // 2nd April 2011 @ The Substation

The Psalms + NAZ (Revolta) + Bani Haykal (B-Quartet) + Mai (Rika)
as part of the Tribal Gathering of Tongue Tasters

Saturday 2nd April, 8pm
Venue: The Substation Theatre
Admission: $15 and $10 (students)
To purchase tickets please call Mish’aal 6337 7535 / 6337 7800 or email boxoffice@substation.org

Band merchandise will be on sale.

Presented by The Substation.

**For every ticket, you will be entitled to a 10% discount at Peek!
Peek membership card holders gets 10% off normal ticket prices!


About the Tribal Gathering of Tongue Tasters

The Tribal Gathering of Tongue Tasters is The Substation’s new music and sonic arts programme. The Substation has invited a selection of the finest emerging and established sound artists, bands and collectives to challenge the deifnition of home-grown music and performance. This is the first performance for 2011.